Explore GRRRL Music’s curated listicles, where we dive into the best in indie music, emerging artists, and music trends. From top albums and must-hear tracks to rising stars in the indie scene, our listicles bring you the freshest recommendations and deep insights. Discover hidden gems, get behind-the-scenes stories, and stay ahead of the music curve. Perfect for music lovers looking for their next favorite artist or song. Updated regularly with new content!

Bela, the Writer is a Brooklyn-based indie-rock and confessional pop artist known for visceral lyricism and emotional honesty. New music coming 2026. Bela, the Writer GENRE: Indie Pop/Rock RIYL: Madi Diaz, dodie, Phoebe Bridgers Upcoming Releases: 'Habit of You' Out On 2/13 'Less Than Me' Recent Releases: Bela, the Writer is a Brooklyn-based indie-rock and confessional pop artist with her heart permanently stapled to her sleeve. Subtlety isn’t her strength—but honesty is. Her music is made for people with big feelings about small moments, for HSPs, and for anyone trying to keep their heart intact while navigating love and dating in New York City. Her songwriting is visceral and direct, pairing emotionally raw lyrics with memorable, cathartic melodies. Bela doesn’t soften the truth or hide behind metaphor—she writes exactly where it hurts, turning vulnerability into connection. Her most recent releases were born from the breaking point of a long-term relationship, capturing the chaos, grief, clarity, and resilience that follow heartbreak. With more songs on the way in this emotional chapter, Bela continues to document love and loss with fearless sincerity, creating music that feels like reading someone’s journal out loud.

At GRRRL Music, Kelsey and Ashley are dedicated to discovering the next big thing in indie music! We spotlight emerging artists, offering them a platform to connect with music lovers everywhere. From sharing fresh tunes to breaking down industry trends, we’re your go-to source for staying in the know. Whether you’re an artist or a fan, we’ve got the ultimate playlist and insider knowledge to keep you excited about what’s next in music. Welcome to the GRRRL squad. We're Kelsey & Ashley! At GRRRL Music, we’re all about uncovering the next big thing in music! We shine a spotlight on up-and-coming artists, giving them the platform they need to be discovered by music lovers everywhere. Think of us as your go-to friends with the ultimate playlist, always ready to share the freshest tunes and support your latest demo tape. Whether we’re diving into the latest music trends, breaking down industry news, or exploring the ins and outs of the music business, we’re here to keep you in the know and excited about what’s next in music. Subscribe to our newsletter for more GRRRL Music! Big announcements, upcoming events, & more music to your inbox weekly! First name* Last name* Email* I agree to be added to GRRRL Music's mailing list. JOIN Owner, CFO Owner, CEO Meet Kelsey Meet Ashley Ashley is a 34-year-old living in San Diego with her husband and her best furry friend, Alfredo. She’s currently expecting a baby girl in December 2024. Ashley’s love for music was instilled by her parents, who introduced her to pop, soul, R&B, and rock 'n' roll—genres that still hold a special place in her heart. Though she always dreamed of working in the music industry, Ashley first pursued a degree in accounting at NAU in Flagstaff, AZ, and enjoyed a decade-long career in the field. Everything changed when her best friend, Kelsey, invited her to join GRRRL Music, turning her passion into a full-time gig. Today, Ashley thrives on working alongside her bestie, engaging with a vibrant community of music lovers. She will bring you music from every genre, but her Pisces heart is especially drawn to emotional pop ballads, fierce femme rock 'n' roll, electronic work out bangers and stunning folk harmonies. Listen to Ashley's 'On Rotation' playlist on Spotify! Kelsey is a 34-year-old living her best life between San Diego & Spokane with her partner, two pitbull pups & a fluffy ginger cat. She grew up listening to her parent's impeccable taste in music - from The Beach Boys to Joni Mitchell. She then ventured heavily into musical theatre, attending Idyllwild Arts Academy for high school. Pivoting in college, she went to Point Park University where she majored in Radio Broadcasting. There she fell in love with talking about music with anyone who would listen. She became the Music Director of her college radio station and learned all the aspects of what marketing & PR looks like. Fast forward to today, Kelsey loves building a community of music obsessed grrrls with her best friend, Ashley. Her favorite genres can be described as: 'chaotic' indie rock, '70s funk/disco sparkly pop, 'beep boopy' electronic music & a good chanting anthem. Listen to Kelsey's 'On Rotation' playlist on Spotify!

In our latest interview, GRRRL Music sits down with Medium Build (Nick Carpenter) to discuss his new album ‘Country.’ The album, a 12-track exploration of home, reflects Nick’s journey from Anchorage, Alaska, to Nashville. With heartfelt lyrics and soulful melodies, Nick opens up about life’s challenges, personal growth, and the creative process behind his music. Medium Build In his newest album release, ‘Country’, Medium Build, also known as Nick, embarks on a profound exploration of the concept of home, navigating the contrasting landscapes of his Anchorage, Alaska roots and his deep connections to Nashville. Through 12 tracks, the album chronicles Nick's personal and emotional journey, as he grapples with life's challenges and triumphs. His down-to-earth approach invites listeners to join him in reflecting on the complexities of life, making for a deeply relatable and resonant musical experience. Medium Build, born Nick Carpenter, is a queer singer-songwriter whose genuine and welcoming spirit shines through in his music. He first gained a devoted following in Anchorage, Alaska, where he became a local icon before recently relocating to Nashville to pursue his musical career. With his soulful songs, Medium Build has cultivated a passionate fan base, both in Alaska and beyond, inspiring listeners to explore their own emotions and identities alongside his own journey of self-discovery. Medium Build has shared stages with a diverse array of talented artists, including Holly Humberstone, Tyler Childers, Lewis Capaldi, Finneas, and many others. His collaborations highlight his versatility and appeal across different musical genres, enriching his artistic journey and expanding his reach to new audiences. GRRRL Music had the privilege of interviewing Medium Build, about his recent achievement with his latest project ‘Country.’, plans for the future, and reflections on life. Photo Credit: Provided By Artist GRRRL Music: Hi Nick! How are you doing and where am I chatting with you from today?! Medium Build: MB: Hey! I am doing well and I am actually on my way to Indio for Coachella as we speak! A bit silly & bougie of me! I got a pass and am just going to be a little person there! GM: SO fun! In the midst of the Coachella chaos, congratulations on your recent success, your album ‘Country’ is finally out! How does it feel for this highly anticipated record to be released ? MB: I am SO relieved, I am so glad it is out. I really like making music but the finishing of it & having to decided what everything looks and feels like … it’s just not the sh*t I thought about as a kid and when I was dreaming about all of this. I just wanted to write it, record, and play it you know? So now that its out, I don't have to look at the Dropbox link & freak out! Now I can just have it out and everyone can now let me know what they think & I can finally start working on some new sh*t. Its like its taking a very good piss haha! I can breathe again and I can think. It’s like when you eat when you are hungry. When you have that thing you have not put out yet, and everyone is waiting for it …it drives you nuts … But I feel free! GM: You have supported artists such as Holly Humberstone, Lewis Capaldi, Finneas, Tyler Childers… how does it feel going from being an independent artist and now playing for thousands of people in these arenas ? MB: It's just a good reminder that shows are just shows. I went and played that Finneas show for like maybe a 1,000 to 1,500 people. Then went and played the usual Alasksian summer gig a couple weeks later and had the same feeling of, “I hope these people like it”. I just try to show up and remember that playing a bar in Alaska is really where I cut my teeth and I can do that even when it’s an arena in London. It’s like, the same sh*t. Just try to be present and have fun. It's terrifying though. GM: Do you have any pre show rituals? What does it feel like before you hit the stage? MB: We try to clear the room half an hour before the show, just keep the band. We kind of just like to sing, warm up, and listen to vibey sh*t. My bass player and I will usually rip a bunch of pushups and stretch. We are always in down-ward dog, trying to get that tight sh*t out so we can just got out and be present. GM: In the making of this last record “Country”, you mentioned recently this was something you want people to dance to, cry to, sing to. The whole record encompasses this so well. From grief, love, heartache, life in general… who would you say you create your music for? What kind of listeners are you hoping to get ahold of your music and hope to speak to? MB: Hmm.. Well truly the first person I make it for would be, me. Usually I am trying to put on something that I would feel soothed to, which is why my music may be sleepier than my personality because it is something I want to use to calm down to. Im kind of this “up” and animated person, so I try to make chiller sh*t to to slow down. I am so stoked that anybody is listening to it. I don't really think about who it is for, but more so hope it links people together. I like to dance,I like to cry, I like to vibe, I like to sway. So, I am hoping it potentially attracts like kinds. You know? Let’s vibe. GM: So, who did you grow up listening to being apart of the Alaska music scene? MB: I moved to Alaska when I was 18. I grew up in Atlanta. Both my parents are transplants. My mom is from St. Louis, Dad is from rural South Carolina. We would listen to whatever was on the radio and mainly a lot of christian sh*t. Oldies, like Mo Town, Temptations, and my dad loves The Rolling Stones, and classic dad rock. We listened to a lot of Billy Joel, The Eagles…just sorta palatable mid tempo sh*t. Then when I was a kid, I just wanted to be NSYNC.. so it was a lot of influences haha. I think that is why I want to be everything - I want to make pop music, introspective shit my mom would like, and rock shit my dad would like. GM: I cannot wait for an all pop record from you, I feel like that would be so fun. MB: Me too, Me too! GM: Can we talk about your creative process? What does a writing or studio session look like? How did you pick the layout of tracks for ‘Country’ ? MB: I am really not that intentional. I write a lot, and we kind of had 20 to 30 tunes we kind of liked. Maybe went to the studio with a couple and then 10 of them ended up going away, then 5 new ones got written. So, whenever I try to make a plan, it usually does not roll out. But usually.. I do like collaborating. I used to write alone mostly and this was the first time I did a lot of collaborating in the two years leading up to ‘Country’. I think this has influenced some of the growth for me. Having people around helps take less pressure on and sort of give chores away. Honestly, now that I have done this era, I am ready to be alone again. Let’s just cook alone. I can be friendly and collaborate and I did not mind it, but now that I have done it.. I just need Jake and I away in the woods with no other ideas. I'm a people pleaser so I will usually give away too much haha. GM: I want to talk about your track ‘In My Room’. What was it like creating this? Did you find it healing for that smaller, younger, queer child in you? MB: Yes. I just think those kinds of songs are my favorite ones where I can kind of go back and fetch some memory that has some pain attached to it…I can just sort of be present in it. I have a song from like 3 albums ago called, ‘little chubby boy’, which is just a letter to my 12 year old self, saying “hey you are going to lose weight, it will be fine, people will like you, but all of that actually doesn’t matter. All of the things you want right now, you will get, and it won’t make you happy. You just have to try hard and be present. I am just trying to give that kid some grace and wisdom, and say “hey girly! You are going to get some things that you think are going to really help and then you will be sad again. Things just f*cking happen and you seem so confused and hurt right now, but trust me. It gets worse, but also somehow better.” It’s just me trying to forgive myself and forgive my parents. Be gentle, and try to figure out some of the bad habits I have now. GM: I love how you say “yes it gets worse, but bigger picture is does get better”. Thank you for sharing that. GM: I read that you now have a good connection with your family. How do you feel about your personal relationship with queerness and christianity in general? For queer listeners & for people in general who are struggling in this area of acceptance within family and friendships..Can you offer any advice that helped you in your coming out process and acceptance? MB: I think the biggest thing for me is that I have very decent parents who try to understand me and it was a very long coming out process. I told them when I was 18 or 19 how I was experimenting with drugs and alcohol. Then at 19, I told them I don't think I want to go to church anymore because I have some big doubts. Then told them I was having sex… and you know all of these things that would kind of break my mom heart.. I did it slowly. I also did not remove myself from them, and not everyone has the privilege too. I just came from an environment where we chose to stick together despite the differences. I know some kids that I grew up with could never tell their parents they did not believe in Jesus. They would be kicked out. So, there is not always that freedom. I got really lucky - the shame was super high though. I was so scared to tell my parents about queer sh*t, god sh*t, having sex, or moving in with someone. Like all of things I was taught were bad. You know, they try. The biggest advice I have is to take care of yourself. Do what allows you to be free. To those who are in the closet pretending for their parents - Bro, your parents are going to die! Go live your life, safely, but go be free! I would rather just not have to lie. I would rather be so honest. That way you know the people around you want to be there. GM: Absolutely. That is so beautiful, thank you. That really resonates and it is so true, at the end of the day we are only here for a certain amount of time. Why not be free and be you! GM: What have been some of your biggest inspirations that have aided you in pursuing music and to help you keep going as a human being in general? MB: Oh that's a fun one haha. What keeps me going as a human…I don’t know who said it but, the quote that says, “whatever keeps you from killing yourself today, is the reason for life” (Albert Camus). Literally one day at a time for me, haha! But, musically, it was seeing really good sh*t make it pretty far. Such as, Julian Baker, Phoebe Bridgers.. and that kind of stuff popping off. When Frank Ocean put out Blonde, when Dijon and Ryan Beatty taking those steps behind him and then you see Harry Styles go into rock! That is encouraging. Seeing those who have done it forever, and changing it. Like David Bazan, he still does small house tours, club tours… he’s kind of just stayed his course. I think guys like this and people like Kathleen Edwards, that send a message and are willing to make it work by touring and playing small shows.. That's what inspires me. I don't have to be big, I just want to play for someone who wants to hear it. GM: Do you have a dream collaboration? If you could pick anyone in the world to make a track with who would it be? MB: Probably Adrianne Lenker, I am just obsessed. Andy Shaw … those are the sounds I am chasing. Soft and tender. Adrianne has such a vibe on her. She is like a huge North Star of “can do it all”. I can rock, get quiet, make weird sh*t, and make beautiful country sh*t. GM: How have you been able to stay grounded in this season of craziness as an artist? MB: Well, simple sh*t. I am not drinking right now. I just feel way better when I don't drink. I feel really good going for long walks or runs. I feel good when I get to see my dogs, call my mom, and keep nice people around me. Get good sleep. Remember the comments are bullshit. Even the nice ones - they will go away one day. GM: When was the transition between your stage name, ‘Nick Carpenter’, go to ‘Medium Build’? MB: 2015/2016 probably. I just did not want to book a gig anymore as “guy with name”. I just wanted to hide. There are several versions I can hide behind. Now we have this ‘Nicky C’ character, - flamboyant, with the earrings, smiling goofy, & loud. Then there is Nick, who is walking his dog in silence, not engaging with anyone haha. Then there comes Medium build - the show, truly the passion, the writing, and the project. I used to think that was sociopathic to think about it like that, but I am learning a lot of artists I love have boundaries for themselves. GM: Lastly, what tracks are you most excited to perform? MB: HMMMM.. I am so excited by so many of them. I would say, ‘Cant Be Cool Forever’, I have done that solo a couple times and it has been pretty sick. I am really excited to play ‘Relief’ with the band. I want to f*cking groove. There is so much to grow into still. I am so excited to play these live. I am f*cking so stoked. GM: Thank you Nick for being here & for talking about you amazing record, ‘Country’. Thank you for being who you are! Drive safe to Coachella! MB: Thank you so much, I feel lucky to do this! I cannot wait to vibe to Tyler The Creator! Instagram Other Links

Gabrielle Limpert is a NYC-based indie pop artist blending hyperpop sparkle with folk heart. Her EP The Runaway explores heartbreak and self-discovery. Gabrielle Limpert GENRE: Indie Pop RIYL: Holly Humberstone, Chappell Roan, Caroline Polachek Recent Releases: 'Backyard' Gabrielle Limpert is a NYC-based artist creating what she calls scream-in-the-car music, crying-on-the-dance-floor music, and intimate indie girl pop, all rolled into one. Her sound blends hyperpop sparkle with a folk-rooted heart, pairing cinematic lyricism with emotional immediacy, humor, and raw self-reflection. Her songs live in the space between vulnerability and release, exploring heartbreak, longing, and euphoric regret with honesty and color. Whether playful or devastating, Gabrielle’s writing feels deeply human—built for moments when feelings are too big to stay quiet. Her upcoming EP, The Runaway, traces the arc of a “runaway bride” who flees the altar, runs to the city, and continues untangling what it means to choose herself. The project is both narrative and emotional, capturing the complexity of independence, transformation, and self-definition through immersive pop storytelling.

At the Shabang Festival, GRRRL Music caught up with Saint Luna, the indie rock quintet from SDSU. Formed during the pandemic, the band has quickly made waves in the San Diego music scene. In our interview, the members shared their journey, creative process, and influences, reflecting on their rapid rise and the joy of performing hits like "I Feel It" and new tracks like "Revolver." Saint Luna 'It started with, like, three of us texting over the pandemic, & then we decided we wanted to play parties at school' With a sprinkle of Californian sunshine and a dash of charisma, the boys of Saint Luna have perfected their indie rock sound. The SDSU quintet found each other during 2020 when a group chat, TikTok search & luck brought them together. Instantly they found their groove and started releasing singles like 'Goldfish' and 'Voodoo Doll' where they became notable not only on campus, but within the San Diego music scene. Their self-titled debut album was released in January 2024 and the band has been playing shows throughout the year! After winning Battle of the Bands in San Diego, the group won an opportunity to perform at the Shabang Music Festival in San Luis Obispo. It was there that GRRRL Music was able to sit down with the guys, chat about life, the San Diego music scene, and their biggest influences. GRRRL Music: So it sounds like you formed your band over a group text, through the pandemic? Bradyn: It started with like three of us, texting over the pandemic, deciding we wanted to play parties at school and then we wrote a song, posted it on TikTok... Wick: Yeah, and then I saw it on TikTok and had been looking for good musicians and I found them! GM: What was it like to work creatively through these tiny screens during the pandemic and making music? Were there a lot of technical aspects to that? Photo Credit: Artist's Instagram Instagram Other Links Tanner: We actually got super lucky, since we were in college, we were all living together and we had a studio in the garage, practicing every day & making TikToks. Then some of us were in a fraternity, so we used that to build up momentum for the band. Bradyn: Yeah we just had people who wanted to come, hang out and watch music, which was cool. GM: What do you think about the San Diego music scene right now & the community as a whole? Charlie: It's getting so strong nowadays. When we started, there weren't like any bands that I knew about since Sitting On Stacy, but they weren't like our four-year of students. GM: Clearly there's like a meeting of the minds happening between all of you, which is crazy when you have so many people in a band. What is it like when you all write together, what's the chemistry? Tanner: It's a song by song basis, I'd say. Charlie: Yeah, I feel like a general process is that someone will have an idea whether it's lyrics or chords, show it to the band and if we like it, lightning in a bottle, catch it right there and then. Wick: It's not the easiest to do, but I feel like it pushes all of us and we get the best work out of it. GM: What's been one of your favorite songs to perform lately? Tanner: My favorite one that we perform live lately has been the new one that we're writing right now, 'Revolver'. It's on a new, hopefully the newest single coming out, coming pretty soon hopefully! Paarsa: Off the album!! Tanner: That one is probably my favorite one to play! Bradyn: You know, good ole, 'I Feel It', hearing people sing it back to us is like a newer thing to us. It's just surreal, like we wrote that in a garage 2 - 3 years ago and it's cool to see what it's blossomed into. Paarsa: I'd have to say, 'I Feel It' too, cause that song is one of our most streamed songs on Spotify so it makes me feel good. A lot of people sing along, and my drumming in that song is super unique and I don't know, I just love it. Charlie: 'No Time', it's just faster, heavier, I can sink my teeth into a bit more and it's just fun to play. Wick: Mine is actually, currently it's not one of ours, but kinda because we do it our own way, it's 'Half Full Glass of Wine' by Tame Impala. Charlie: He plays it perfectly and adds his own touch. I mean, that's the cool thing with covers, you don't try and copy a record, you do it your own way with your own sound and give tribute to the original creators. GM: What are some of your influences right now? Bradyn: Spacey Jane for me! Tanner: Mine would be more like King Gizzard Paarsa: I've been listening to a lot of Fleetwood Mac right now. Stevie Nicks! Love her. Charlie: I'm going to go with Turnstile, I've been giving myself a headache with them. They're fucking sick! Wick: I've been listening to a lot of rockabilly, these guys make fun of me cause I like country music. We all kind of throw different influences out to each other. GM: That's gotta be a fun group chat though! Charlie: It is, but trying to pick a new cover can be a fucking nightmare. It's like Zeppelin, Red Hot Chili Peppers, Spacey Jane, Black Keys...like fuck! Bradyn: So opinionated (laughs).

Check out our latest interview with Lilly Moss, a rising star in country music, captivating audiences with her powerful presence and deeply personal story NA-KEL SMITH Na-Kel Smith is an artist who defies categorization. Whether he’s tearing up a skatepark, laying down tracks in the studio, or owning the screen in Mid90s, his boundless creativity continues to push the limits of what’s possible. This year marks the 10th anniversary of Camp Flog Gnaw, taking over Dodger Stadium for a celebration of music, culture, and creativity. I had the incredible opportunity to sit down with the legendary Na-Kel Smith—skateboarder, musician, actor, and entrepreneur. From his iconic collaborations with Odd Future to starring in the film Mid90s and building his brand, Hardies Hardware, Na-Kel embodies what it means to thrive across multiple passions. Tune in to the video interview below, as we discuss his journey, his inspirations, and his take on a decade of Flog Gnaw magic! Instagram Other Links Listen On Spotify

Manny Moura is a pop singer-songwriter shaped by life between Brazil and the U.S., known for poetic, emotionally honest songwriting. Her debut album was released fall 2025. manny moura GENRE: Indie Pop RIYL: Taylor Swift, Phoebe Bridgers Recent Releases: a crush is a creative act Manny Moura is a pop singer-songwriter shaped by movement between cultures, languages, and cities. Growing up between Rio de Janeiro and New York City, music became her anchor—a way to feel at home while constantly in between worlds. Her songwriting reflects that duality, blending emotional precision with a global sense of intimacy. A graduate of Berklee College of Music with a Bachelor’s Degree in Songwriting, Moura approaches pop music with both craft and vulnerability. In the summer of 2022, she released her EP Libra in Love, a six-track project that traces the arc of a relationship in chronological order, moving from hope to heartbreak with clarity and emotional depth. Beyond her own releases, Moura has expanded her creative reach through film and collaboration. She wrote the original song “Espelho do Mundo” for the Cannes Film Festival–nominated short film The Way You Sea Me, and worked closely with Brazilian folk-pop artist Rebeca on the album Espiral, released in April 2024. Inspired by artists such as Taylor Swift, Lorde, and Phoebe Bridgers, Manny Moura makes poetry in pop form—meticulous in translating emotion into tangible, vulnerable songwriting. Now based in Los Angeles, she writes both for herself and for other artists, with her debut album, a crush is a creative act, released this past fall.

Kylee Phillips is a Michigan-born indie pop artist crafting emotionally powerful, self-exposing songs rooted in catharsis and melodic strength. Kylee Phillips GENRE: Indie Pop RIYL: Maggie Rogers, MUNA, Holly Humberstone Recent Releases: 'head down/eyes up (alt) Kylee Phillips is a Michigan-native vocalist, pianist, and songwriter of deeply self-exposing pop music. Armed with an arresting, emotive, laser-focused voice, and an unrivaled ear for hooks and melodic contour, Phillips has garnered cult-like acclaim in the midwest and beyond since her explosive debut EP Long Time Coming. The title is strangely apt, as Phillips was a beloved hidden gem in the Detroit scene for over a decade before materializing as a fresh face and urgent new presence in the indie/pop world. The EP satisfies broadly while leaving us wanting more, especially after we ride through the guitar-saturated erotic agitation of Home To You, the pyrotechnic regret of Where You Found Me, and the unwelcome epiphany of the haunting title track. The songs are brought into technicolor clarity by rising star producer Evan Eliason. After the overwhelming response to this 2023 debut, Eliason came on board again for Phillips’ 2024 release The Good Parts, which sees Phillips continue to sharpen her lyrical adeptness and autobiographical insight. Kylee’s anthemic, sonically dense songs alchemize the sincerity of a midwest heart with the prowess and unabashed indulgence usually reserved for coastal voices. Here listeners find the body-cleansing catharsis of femme-pop luminaries like MUNA and Maggie Rogers, intertwined with the heartstring-pulling, hands-raised surrender of a worship conference. Every track makes equal space for the tears and the pulse-pounding we didn’t realize we needed so badly. Whether she’s singing about a failed relationship, a distant yearning, or an existential inquiry into the human experience, the integral throughline through Kylee’s songs is the unwavering voice of a woman who refuses to fear her own intelligence, agency, anger, and desires. In a world with no shortage of self-help sad-babe media, Phillips weaves together a sensual, articulate, and unpretentiously therapeutic soundtrack for the lives we live but can’t always verbalize. She lends us an experiential wisdom that could only come from a massive heart that’s seen a lot of garbage and emerged transformed and immovable.

Discover emerging talent with GRRRL Music's Artist Spotlights! We feature exclusive interviews, behind-the-scenes insights, and deep dives into the creative journeys of indie artists from around the world. Explore their music, influences, and personal stories, all while discovering your next favorite band or artist. Our spotlights connect you to the freshest sounds in indie music and offer a platform for artists to share their voice with new audiences. Låpsley Read our latest artist interviews GENRE: Indie Pop Tuvaband GENRE: Soft Pop IDELE GENRE: Alt R&B TheBabeGabe GENRE: Indie Pop R&B GENRE: Indie Pop Mieu Arianna Chetram GENRE: Pop R&B Check out our past interviews: ANNA SHOEMAKER GRACE KINTER KYLIE ROTHFIELD LOUNNA NA-KEL SMITH LILLY MOSS BARB SAINT LUNA ALI WOLVERTON MEDIUM BUILD SHALOM KALEENA ZANDERS AMELIE JAT SASHA ATLAS TASH HOLLINS EEE GEE TOM LEFLORE TIM ATLAS JOSHUA RAW