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Grace Kinter dives into her latest single, I’ll Show You How, blending R&B with house, her genre-bending journey, and the creative vision behind her cinematic music video. Read the full GRRRL Music interview now. Grace Kinter Grace Kinter's old soul delights in her new music video, 'I'll Show You How'. Bringing a more mature sound to her R&B vocals, Kinter uses the blending of genres to her advantage. Grace Kinter is no stranger to the R&B world. Growing up, she was introduced to Aretha Franklin and Nina Simone and began developing her voice in their likeness. Full of soul and jazzy riffs, Grace released her EP, 'Two Fold' in 2024, showing off her maturity within the genre & venturing outside of her comfort zone to bring the melodies to life. 'I'll Show You How' blends her soulful riffs with a driving yet dreamy house beat, allowing the soundscape to shift in the quieter moments of the track. Grace is now releasing a music video (see below) for 'I'll Show You How'. A creative feat for any new artist, Grace gave a deeper meaning to the song. With professional dancer, Lionell Burgess, at the center - the choreography, costumes and storytelling brings the song to life and asks the viewer to let go, push yourself out of your comfort zone & believe in your art. Instagram Music Video GRRRL Music: Before we jump into your single and music video ‘I’ll Show You How’, can we talk about your very eclectic influences? You talk about your dad’s ‘tedious gypsy jazz guitar’ playing, being introduced to Aretha Franklin & Nina Simone at a young age - how do all of these influences make up your voice today? Grace Kinter: I like to say I grew up in an atypical musical household. Usually when you hear about musical households where the parents were both creatives, the children are put into lessons very early and taught discipline. This was not the case for me. My parents didn’t push anything- however I was nurtured into having a good musical ear and I learned music was an emotional exchange. My dad would host jam sessions, play records, and practiced guitar every night- often the same licks and songs etched into my memory. I spent most of my childhood playing imaginary games and sending friends home so I could have “Grace time.” But having this musical influence in the background without actually being pushed to sing or play allowed me to fall in love with music in my own unique way. GM: ‘I’ll Show You How’ is a delicious blend of R&B and house that really highlights your artistry, I’d love to know the ‘art’ behind blending genres, what inspiration did you take to build up & write this song? GK: When you sing from the soul and mean what you say, I’m learning that your voice can fit into any genre. For this tune, I just had the amazing house beat on loop and walked around listening to it, danced to it, and kept it flowing through me until the melody nearly shouted at me. I stopped in my tracks and quickly took a voice memo singing my idea over the beat and the rest was history as they say! GM: We HAVE to talk about the incredible music video for ‘I’ll Show You How’. Everything from the art direction to highlighting dancer, Lionell Burgess, to the costumes - where did this vision for the single come from? Can you talk more about the process of shooting such a huge project? GK: I really stepped outside of myself to write the song. Lyrically, I used the idea of “stepping outside of my comfort zone” to inform a perspective where I was LITERALLY outside of myself, like a “fairy godmother” looking down at the real me trying to get her to loosen up and enjoy life for what it is. That led to the concept of the music video. I play the higher self or the “fairy godmother” and my star, Lionell Burgess, has to decide if he wants to “take my hand” or not throughout the video. Lie is an incredible dancer and I knew I wanted him to dance for a project of mine for a while now, so ‘I’ll Show You How’ felt like the perfect opportunity to both showcase his talent and also tell the song’s story. Lie does end up “taking my hand” in the end and we channeled Lady Gaga and Beyonce in Telephone for that end sequence! And shout out to my amazing director Elise Felber and Rubber Baby Films for bringing the concept to life! GM: From your 2022 album, Side Effects to your most recent EP - there’s a big shift in your soundscapes. Was there a shift in your life that led to wanting to experiment with other genres? GK: Certainly!! Older Grace strictly focused on the singing and melody and the instrumental part was up to someone else. I didn’t have the chops to bring my ideas to life when it came to the instruments. But working with people who understand me and listen has helped me explore and become a way better songwriter. My long-time producer/collaborator, Brenden Cabrera, will often get a voice note from me describing something in my own language and then he is able to help me bring it to life with such ease. That’s how my song ‘Manic Pixie Dream Girl’ turned bossa-nova and why it wouldn’t have taken that fun shift in, say, 2019. GM: What artists or genres are you really loving right now? Do you find inspiration through other music? GK: I definitely find inspiration from other artists. From the songwriting and lyrics to their visuals, I am always thinking about how I can do something similar but the “Grace” version. I’m loving that women are taking over the rap game right now. I’m a huuuuge fan of Doechii, GloRilla, and JT. Love all of their most recent albums. My soulful artists I’ve been loving lately are Summer Walker, Cleo Sol / SAULT, and Thee Sacred Souls to name a few. GM: What’s in store for Grace Kitner in 2025? Will we see an album soon? GK: How’d you know?? I am currently working on my album and hope to have it out towards the end of 2025. In addition, I hope to curate a handful of shows around LA, perfect my roast chicken recipe, and continue investing time and energy into my LA community, especially after a tumultuous start to the year with Tr*mp and wildfires. Finding time to volunteer and spend time with people who make me laugh is just as important to me as music.

JT FOLEY is a Los Angeles–based indie pop and alt-pop artist and songwriter known for vulnerable lyricism, synth-driven production, and major songwriting credits. JT FOLEY GENRE: Alt Pop RIYL: BANKS, Caroline Polachek, Chappell Roan Upcoming Releases: 'Bloodhound' Out On 2/20 Recent Releases: 'Linger' JT FOLEY is a Los Angeles–based artist and songwriter crafting emotionally driven indie pop and alt-pop. As an artist, she draws inspiration from acts like The 1975 and The Japanese House, pairing vulnerable, authentic lyricism with soft synths and ’80s-inspired drum textures. Her sound balances intimacy and polish, allowing emotion to lead while atmosphere sets the tone. Her work as an artist has earned placements on major editorial playlists, including New Music Friday and All New Pop, marking her as a rising voice within the modern indie-pop landscape. Alongside her solo work, JT FOLEY is an accomplished songwriter with credits for a wide range of artists, including Nessa Barrett, GAYLE, Olivia O'Brien, blackbear, Ellise, and Meg Smith. Whether writing for herself or others, her approach remains consistent—emotionally honest, melodically strong, and grounded in connection.

Lyla DiPaul is an indie singer-songwriter known for heartfelt storytelling and community-driven songwriting. Her EP Something To Lose captures stories of growth and connection. Lyla DiPaul GENRE: Singer-Songwriter RIYL: Lucy Dacus, Leith Ross, Ocie Elliott Recent Releases: 'Sunshine' Lyla DiPaul has only ever had one dream: to sing and play guitar. Growing up in the arts-forward Washington, D.C. suburb of Takoma Park, Maryland, she discovered songwriting early, learning to play through songs by Taylor Swift and Green Day with help from her older brother. By age eleven, she was already performing original music at local festivals, drawn instinctively toward storytelling through song. Despite her passion, DiPaul initially hesitated to pursue music professionally. Largely self-taught, she struggled with confidence and questioned whether she was “good enough” to turn her dream into a career. That shifted after enrolling at Loyola University New Orleans, where she was inspired by peers who pursued their creative paths without hesitation. Within her first year, DiPaul changed her major, recruited a band, and released her first single. Since then, DiPaul has been learning what it truly means to survive as an independent musician—grounded in the belief that community is essential. Her EP Something To Lose is a reflection of that philosophy. Recorded entirely at close friend and collaborator Riley English’s home studio, the project evolved organically over nine months. What began as an idea for a stripped-back acoustic record grew into a collaborative effort, with friends contributing everything from drums to violin as each song slowly came to life. Something To Lose captures stories from the past four years of DiPaul’s life—moments of growth, uncertainty, and resilience. Built piece by piece with trust and intention, the EP is an intimate portrait of finding connection through music, and an invitation for listeners to find themselves somewhere within the songs.

Step inside Catie Turner’s “Stuns on Tour” show at Trans-Pecos in New York, captured by photographer Stephanie Axelrod. Explore the full gallery featuring Catie’s vibrant stage presence, emotional lyrics, and an unforgettable night of music. Catie Turner Trans-Pecos in New York Photos By: Stephanie Axelrod

Cameron Cade is an indie and bedroom-pop artist creating dreamy, poetic songs rooted in vulnerability and emotional honesty. Cameron Cade GENRE: Indie Pop RIYL: beabadoobee, Mitski, Clairo Upcoming Releases: 'Folsom Prison Blues (Live at Friendly Collective)' Out On 2/20 Cameron Cade is a Virginia-born musician crafting emotionally rich indie and bedroom-pop rooted in vulnerability, imagination, and honesty. With a background in classical violin, her music carries a deep sense of structure and intention, weaving dreamlike melodies that feel both delicate and expansive. Her songwriting reads like poetry in motion, exploring themes of love, friendship, addiction, family, and self-reflection. Each song feels personal and immersive, inviting listeners into moments that are intimate yet universally relatable. Cameron approaches music as more than just sound—it is her primary language of expression. Blending softness with emotional clarity, Cameron Cade creates a sonic space that feels safe and grounding. Her work is built to comfort, to connect, and to remind listeners that they are not alone in their experiences. Through every release, she continues to build a world where honesty and empathy take center stage.

Released in April, Irish indie rockers, Pillow Queens third albun, ‘Name Your Sorrow’ instantly feels like a culmination of patience, maturity, and a deep sense of self wrapped in a beautiful bow. Laced in between the intricate guitar lines, the band delves into what the human experience is: an emotional roller coaster. Pillow Queens ‘I don’t wanna ruin my life, but I wanna go home with you’ chants lead singer, Pamela Connolly, of indie rockers Pillow Queens on their third album, Name Your Sorrow. Released in April, Name Your Sorrow instantly feels like a culmination of patience, maturity, and a deep sense of self wrapped in a beautiful bow. Laced in between the intricate guitar lines, the band delves into what the human experience is: an emotional roller coaster. While their sound has matured since their debut into this all-encompassing, sonically hazy indie rock, their themes feel equally as large. On ‘The Bar Is Closed’, Connolly rips into the sound, ‘Oh I’ve been watching you / lose your light / caught up in someone to / destroy your life’, while a wild guitar line lingers throughout - you feel almost gut punched. From queerness to grief to insecurities, the realness permeates from each line of lyrics. It’s a complete album that takes its time, you never feel rushed through a song or feeling left wanting more - by the end of the twelve tracks, you feel satiated. There are so many hidden pockets of brilliance on this album, oftentimes I would be daydreaming until a lyric registered in my brain and I was pulled back to reality. GRRRL Music: Your newest album "Name Your Sorrow" is described as your most vulnerable yet self-assured project to date. How has the band's evolution influenced the writing and recording process for this album? PILLOW QUEENS: We’ve been together and known each other for such a long time that perhaps the biggest influence to our evolution is being able to say we truly know each other on a deep level. There’s a comfort there that allows more and more for sonic experimentation and opinions as well as the ability to be truly vulnerable. Photo Credit: Martyna Bannister GM: With all of your literary influences like Eavan Boland and CS Lewis mentioned, could you share how these elements shaped the thematic and sonic direction of the album? PQ: For us, I don’t think we knew what the themes of this album were going to be. We knew the general direction it was going to go subject wise but as we worked away at each song in our practice space and in the studio things kind of unveiled themselves to us. It felt like completing a jigsaw puzzle and putting the last one in and being like, “oh it’s a horse”. GM: The music video for "Heavy Pour" draws inspiration from classic silent films like The Cabinet of Dr. Caligari and Nosferatu. What aspects of these films influenced the video, and how do you feel this visual style complements the song? PQ: The amazing idea for the music video came from our director Kate Dolan who we’ve worked with so many times. She understands the music we send her and places it in worlds it makes sense in. "Heavy Pour" is quite an atmospheric and tense in parts kind of song with melodies that I thought sounded a bit macabre. The visual style then just fits like a glove, I think. GM: How do you balance personal storytelling with creating music that resonates universally? PQ: Every song is always going to be particular to a very personal feeling or event gone through but essentially what we write are love songs. The good, the bad and the ugly when it comes to love and all the thousands of other feelings that go along with that. I think that’s kind of the most relatable thing in the world. Heartbreak can be very lonely and ostracizing, but it kind of also connects us all together. GM: You're set to perform live across the UK and open for Snow Patrol before your largest show at Iveagh Gardens in Dublin. What does this progression in live shows mean to you as a band, and how do you prepare for these larger stages? PQ: Over the years as stages got bigger, we did focus more and more on how we can improve our presence and stage, mostly sonically. Our aim is always to impact people and with a well-thought out live show, we have the opportunity to do that well. So far there’s been a lot of rehearsals but also a lot of ideas when it comes to what our show will look like and being creative with the space we have. Name Your Sorrow is out on all platforms now, you can support the band by buying the album on Bandcamp or catch their tour through Europe this summer! Instagram Other Links

GRRRL Music’s "At Home With" series spotlights independent artists in intimate, personal performances inspired by NPR’s Tiny Desk. Each week, discover a new artist, learn about their influences, and watch exclusive performances of original songs and covers, hosted on our YouTube channel. The series celebrates creativity in unique home spaces, offering a platform for emerging talent to shine without judgment. Join us in supporting indie artists and their work this summer! AT HOME WITH SEASON 5 Caroline Romano chrysalis RM47 Avery Lynch Harleighblu Trousdale BODHI YAOUNDÉBOXINGCLUB Bermuda Search Party India Thieriot September 8th - 12th PREVIOUS SEASONS WINNABEGO MADI SASKIA DANNY KUTTNER MAYDAY MAE! CINZIA & THE ECLIPSE LIGHTHEARTED AB LASS VIRR KAYLA THOMPSON HUGO BASCLAIN SEASON 4 (2024) TYA JACK LILLIAN LOVELYOCEAN GRAY ELIZ MAVRYCK VALENTINE'S DAY ELBA ROSE AMBER RÈ MONEÁ FRAN LUSTY TAM THE VIIBE JABARI ZAKEE OFTEN SEASON 3 (2023) SEASON 2 (2022) VERONIKA JOKEL THE BORDLEY SISTERS LINN CERVELL GIGI RICH VANDA ESSAY ANNA GRACE BEATTY MALLAIGH ASHTON LIKE ANGELS SEASON 1 (2021) GEENA KAYE MR. MARIGOLD LITTLEFOOT PAGING DOCTOR MOON MADDY HICKS AT HOME WITH FAQ Can I submit to this all year round? Short answer, no. We open applications in April for 2-3 weeks and then we begin the process of going through applications and curating our roster. We will have a Google Form linked on our social media accounts and here. What kind of requirement does this series have? We do require you have at least time in May/June to be able to record the videos we need, put together the administrative portion and answer any questions we may have. Other than that, a week would be needed in the summer (we will let you know which week upon acceptance) to participate during your week! What type of equipment would I need? We aren't picky! However, to get the best 'content' and show your best self, we highly recommend using professional mics/recording software for the audio portion! If you can film on your phone, you're more than welcome to. We also would love for you to use your imagination about what 'home' is to you, whether it's on the coast or in your favorite armchair surrounded by cats, you get to art direct! Who can apply? Anyone, we accept all genres of music, all locations around the world - if you're an artist, you can apply. We would prefer artists who have published music on the major streaming platforms, even if it's self-released. Can we sponsor a week for At Home With? Absolutely!! We're looking for sponsors to help us support the artists who participate in this series. You'll have your company logo in every video, plus an 'ad' created by GRRRL Music to support the brand. If you're interested in sponsoring, please email Ashley with the subject: 'At Home With Sponsorship'.

New York-based artist Arianna Chetram unveils the sultry, hypnotic world of Candy Babe. In this GRRRL Music interview, she shares the inspiration behind the track, her vocal evolution, and what’s next. Read now! Arianna Chetram Step into the world of Arianna Chetram, where desire, mystery and confidence intertwine in a sultry pop soundscape. New York-based singer-songwriter, Arianna Chetram, effortlessly blends pop, R&B and a bit of pop rock, but her newest single, 'Candy Babe' leans into a darker, more hypnotic energy - one that lures you in with its intrigue. Described as 'a story built about the mysterious beginnings of a relationship', the track explores the push and pull of attraction, that tension between questioning and confidence and the thrill of the unknown. With a voice that is both commanding and sensual, Arianna embraces the power of her lower register in 'Candy Babe', drawing listeners in with her rich alto depth that adds an irresistible edge to her storytelling. 'Candy Babe' isn't just a song - it's a full experience, it's an invitation to lose yourself in the moment and let the music wash over you. You can listen to 'Candy Baby' on all platforms now! Instagram Other Links GRRRL Music: Let’s start with Candy Babe! The song feels like an invitation into a sultry, mysterious world. What was the inspiration behind the track, and what story were you trying to tell? Arianna Chetram: 'Candy Babe' is about someone in the beginning of a secret relationship, or situationship, and isn’t sure if she wants to go further with this person. This girl goes back and forth between wanting something more and then hesitating with the attachments and feelings in relationships. I really love writing songs based on my own experiences but with a twist. Sometimes I use other little stories that I’m told about to influence some lyrics within the songs. GM: The lyrics feel like they’re dancing between control and surrender. When writing Candy Baby, did you always know what direction you wanted the narrative to go, or did it evolve as you created it? AC: I always knew where I wanted 'Candy Babe' to go. I wanted the feeling of hesitation to be shown throughout my verses, while the chorus was portraying how confident she can be in this relationship. GM: I love how you embrace your lower register—it’s rich, sensual, and so commanding. As an alto myself, I know how powerful that range can be. How do you view your vocal range in shaping your sound, and has it always been something you leaned into? AC: Surprisingly no! I tend to write my songs in higher ranges. This was the first song I wrote where I just stayed in my lower register, and honestly it was super fun to get to experiment with different vocal sounds outside of my usual vocal range. GM: As a New York-based artist, how has the city influenced your sound or approach to music? Do you feel like the energy of NYC seeps into your creative process? AC: Oh yes definitely. I feel like sometimes I tend to lean towards writing songs that are more upbeat versus something soft and melodic. With the energy NYC gives, sometimes it’s more fun to perform and connect with others with those upbeat songs. GM: If 'Candy Babe' was placed in a scene of a movie or TV show, what kind of scene do you imagine it soundtracking? AC: Oooh, I could so see 'Candy Babe' soundtracking one of those CW television shows with all the spicy romance and crazy dramas. Whether it be a secret relationship or a scandal, I can see it be something that leaves the episode on a cliffhanger GM: What’s next for you? Are you working on an EP or full project, and will Candy Baby give us a hint at the overall vibe of your upcoming music? AC: For now in 2025, I have some more singles coming out, but I’m definitely working on a bigger project for 2026. I think 'Candy Babe' opened up a wider range of possibilities for newer songs, so that’s definitely something I’ll be focusing on more in the next two years.

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